The No B.S. Wine Letter

Austin Texas Wine Society

The No B.S.
Wine Letter.

No scores. No performance.
Just the truth inside the bottle.

The last Wednesday of every month — Free


Wine has been running a con. This letter is the exit.

The No B.S. Wine Letter is a monthly dispatch from the Austin Texas Wine Society — essays, field observations, and fiction that treat wine the way it deserves to be treated. Not as a performance. Not as a report card. As something human.

No scores. No tasting notes written for someone else’s palate. No sommelier auditions. Just honest writing about what wine costs the people who make it, and what it means to the people who drink it.

It arrives the last Wednesday of every month. It takes about five minutes to read. It will change how you think about what’s in your glass.


Same five elements. Every month.

  • 01
    The Opener
    A moment. Something that happened at a table, in a vineyard, or in the world that connects to wine without being about wine.
  • 02
    The Argument
    One idea, developed slowly. Something that makes the snob uncomfortable and the locked-out reader feel vindicated.
  • 03
    The Bottle
    One wine observed over three nights. Field Notes from a real bottle — who made it, what it cost them, how it changed. No score. Just the story.
  • 04
    The Fiction
    A passage from whatever novel is live. Right now that’s Viña Fantasma and The List of 1855. As new fiction comes, it rotates in.
  • 05
    The Question
    One question. No answer. The thing you’ll sit with. The thing you’ll forward to someone who’d have something to say about it.

Read before you subscribe.

The No B.S. Wine Letter Issue No. 001 · June 10, 2026

Nobody talked for a few seconds after. Not because something important was said. Because something real happened. Real laughter changes the air in a room. You know the difference the moment it arrives. Head back. Eyes closed. One hand on the table trying to steady herself. Everything that had been performed all night stopped for about three seconds. Then started back up again. You’ve been in rooms like that. You know how rare those three seconds are. You also know how fast everyone goes back to pretending.

Everybody swirled first. Tiny pause before drinking. Like there might be a correct answer hidden in the glass. There wasn’t. There never is.

Your friend orders with confidence loud enough for the table to hear and suddenly the wine tastes different. The waiter smiles with relief. The table loosens. Nobody questions it. That’s not expertise. That’s performance. And performance has been running the room so long most people can’t tell the difference anymore.

That’s the only part of the bottle worth remembering.

He held the list for another second. Then closed it. She didn’t perform anything. She just knew what she wanted. That’s the only score that was ever written for you.

Valley Mills Vineyards Tempranillo 2023. Texas High Plains.

A wine that didn't give much away at first. It made me work for it.

No food, no decanting, small pours across three nights. Cork pushed back in and the bottle left standing on the counter in between. I wanted to see what it did when it had nowhere to hide.

Day 1. First thing out of the glass was an old baseball glove. Not fruit. Not sugar. Just that leather-and-sweat smell that lives in the pocket of a glove that's been out in the sun too many summers. Behind that, an old cigar box. Then, way at the back, barely there, a dark cherry trying to get a word in and losing. In the mouth it hit like biting into a green apple — that instant mouth-watering pucker. Firm. A little unforgiving. Showed up serious.

Day 2. There was a musky, slightly chemical smell sitting on top — the kind of smell you catch off a batch of homemade beer that didn't quite finish right. I let it sit. Twenty minutes in, that smell started backing off on its own, and the wine climbed back to where it had been the night before. Scared me first. Settled back into itself second.

Day 3. Leather again on the nose, dark fruit sitting a little closer to the front. In the mouth — no bite at all. That walnut-shell dryness from Day 1 had smoothed all the way out. Thirty minutes later, a new smell arrived — the smell of walking down into an old stone cellar, damp rock and still air, with a thread of spice riding underneath it.

Some wines you remember because they changed. This one you remember because it didn't — and that's not always a compliment.

The list was already on the wall. Framed. Leveled. Ink set hard enough to last longer than the men standing beneath it.

Étienne felt the list more than he looked at it. He felt it in his chest — the pressure of a door before the handle turns. He thought of how those names would travel — spoken in rooms he would never enter, printed in ledgers he would never touch, passed from father to son as proof of something earned.

Once written, a name no longer had to defend itself. That was the power of it. The list did not decide what was true. It decided what would never be questioned.

Permanence, Étienne knew, was heavier than truth.

What have you been performing so long that you’ve forgotten what you actually wanted — and is there still someone at your table who would close the list if you just asked?